Who hasn’t caught themselves staring at a shadow? I certainly have. I have always found shadows fascinating. They are both there and not there, present and absent, and this in-between, fleeting nature keeps me staring. Shadows open a space for contemplation, and the list presented here traces a range of responses to the enigma they represent. Transitory images that exist on a fleeting border between light and darkness, shadows seem to invite me to make sense of their vague and shifting outlines, leading to both the joy of imagination as well as to that unsettling but pleasurable feeling of the uncanny as I struggle to fill in their outlines.
I wrote
Ambiguous Borderlands: Shadow Imagery in Cold War American Culture
I have read this short section of Plato’s highly influential book, Republic, many times in many different settings over the course of my life and have always found it fresh and thought-provoking.
Are we just dupes staring at the secondhand shadows cast by figures on a wall, or will we escape our cave to find the truth in the light of the sun? Shadows have never been so denigrated! Nevertheless, I feel that Plato’s parable still has the power to make me question what it is I am doing with my life even if it was written over two thousand years ago.
The Allegory of the Cave, or Plato's Cave, was presented by the Greek philosopher Plato in his work Republic (514a–520a) to compare "the effect of education (παιδεία) and the lack of it on our nature". It is written as a dialogue between Plato's brother Glaucon and his mentor Socrates, narrated by the latter. The allegory is presented after the analogy of the sun (508b–509c) and the analogy of the divided line (509d–511e). All three are characterized in relation to dialectic at the end of Books VII and VIII (531d–534e). Plato has Socrates describe a group of people who have lived…
I find this book's range amazing. This slim but engrossing volume reveals new and invigorating ways of “reading” shadow images as the author discusses topics as diverse as food, cosmetics, architecture, jade, and even toilets.
Tanizaki also tackles the sociological differences in shadow interpretation across cultural divides, lamenting the loss of a more traditional interest in the ambiguous shadow as darkness gives way to a Westernization of Japanese culture that brings illumination in its wake.
While I didn’t always agree with his conclusions, they were always interesting, and got me thinking about why I look at shadows the way I do.
An essay on aesthetics by the Japanese novelist, this book explores architecture, jade, food, and even toilets, combining an acute sense of the use of space in buildings. The book also includes descriptions of laquerware under candlelight and women in the darkness of the house of pleasure.
Warning: This book will shock, intrigue, sadden, disturb, and ultimately stimulate you. This African American artist has produced an impressive and unique body of artwork that interrogates the conflicted nature of race in America.
This book provides a survey of her visually stunning work, including her controversial silhouette cut-outs that depict various charged images that draw on stereotypes to challenge and rework them. With shadowy figures that hint simultaneously at sexuality, subjugation, violence, and desire, this fascinating volume is not for the faint of heart or the easily disturbed.
Kara Walker is among the most complex and prolific American artists of her generation. Over the past decade, she has gained international recognition for her room-sized tableaux, which depict historical narratives haunted by sexuality, violence and subjugation and are made using the paradoxically genteel eighteenth-century art of cut-paper silhouettes. Set in the antebellum American South, Walker's compositions play off of stereotypes to portray, often grotesquely, life on the plantation, where masters, mistresses and slave men, women and children enact a subverted version of the past in an attempt to reconfigure their status and representation. Over the years, the artist has…
While shadows intrigue me, I often find them a bit sad. Esther Greenwood, the narrator of Sylvia Plath’s famous novel, seems to agree. As the brilliant and talented Esther struggles against the shackles of a masculine world, shadows become a haven—a tantalizing space whose ambivalent darkness beckons with fear and desire.
For me, knowing the fate of the author herself only heightened the emotional appeal and resulting trauma of following Esther’s slow descent into the darkness.
When Esther Greenwood wins an internship on a New York fashion magazine in 1953, she is elated, believing she will finally realise her dream to become a writer. But in between the cocktail parties and piles of manuscripts, Esther's life begins to slide out of control. She finds herself spiralling into depression and eventually a suicide attempt, as she grapples with difficult relationships and a society which refuses to take women's aspirations seriously.
The Bell Jar, Sylvia Plath's only novel, was originally published in 1963 under the pseudonym Victoria…
I am a massive fan of David Foster Wallace, but I was skeptical when I first heard that his posthumous novel was set in something as banal as the Internal Revenue Service. But Wallace eased my concerns. Not only is the book engaging, but I was also surprised to find this work to be a novel of shadows.
The book is filled with thick descriptions of shadows moving eerily across rooms, halls, and buildings and perhaps even more disturbing, strange situations where brilliant lights cast no shadow. Reading the book, I wondered (or perhaps feared) that an excessive interest in shadows is a sign of the onset of mental collapse.
The "breathtakingly brilliant" novel by the author of Infinite Jest (New York Times) is a deeply compelling and satisfying story, as hilarious and fearless and original as anything Wallace ever wrote.
The agents at the IRS Regional Examination Center in Peoria, Illinois, appear ordinary enough to newly arrived trainee David Foster Wallace. But as he immerses himself in a routine so tedious and repetitive that new employees receive boredom-survival training, he learns of the extraordinary variety of personalities drawn to this strange calling. And he has arrived at a moment when forces within the IRS are plotting to eliminate even…
Shadows have been with us from the start. Whether cast by firelight onto a cave wall or from a film projector onto a screen, humans seem fascinated by these strange and fleeting images. This book looks at how Cold War artists used shadow imagery to explore the anxieties and ambiguities of the postwar and create an imaginary space that could challenge the binaries on offer during this volatile period in history.
Ranging over a variety of authors, artists, and mediums, this work looks at cultural products like the comic-book hero The Shadow, poetry and pulp fiction, film noir, and the Twilight Zone (among others) to trace how shadow imagery both refracted and reflected the preoccupations of a society living under the threat of nuclear destruction.
Historical fiction inspired by the story of Mary Leakey, who carved her own path to become one of the world's most distinguished paleoanthropologists.
It's 1983 and seventeen-year-old Grace Clark has just lost her mother when she begrudgingly accompanies her estranged father to an archeological dig at Olduvai Gorge on the Serengeti plains of Tanzania. Here, seventy-year-old Mary Leakey enlists Grace to sort and pack her fifty years of work and memories.
Their interaction reminds Mary how she pursued her ambitions of becoming an archeologist in the 1930s by sneaking into lectures and working on excavations. When well-known paleoanthropologist Louis Leakey…
Historical fiction inspired by the story of Mary Leakey, who carved her own path to become one of the world's most distinguished paleoanthropologists.
It's 1983 and seventeen-year-old Grace Clark has just lost her mother when she begrudgingly accompanies her estranged father to an archeological dig at Olduvai Gorge on the Serengeti plains of Tanzania. Here, seventy-year-old Mary Leakey enlists Grace to sort and pack her fifty years of work and memories.
Their interaction reminds Mary how she pursued her ambitions of becoming an archeologist in the 1930s by sneaking into lectures and working on excavations. When well-known paleoanthropologist Louis Leakey…
